Gary Tandy • What Lear Learns in the Storm
Bartlett, John. The Complete Concordance to Shakespeare. New York: St. Martin’s Press, 1997.
Battenhouse, Roy, Ed. Shakespeare’s Christian Dimension. Bloomington, IN: Indiana University Press, 1994.
Battenhouse, Roy. “Comment and Bibliography” in Shakespeare’s Christian Dimension, 444-448.
Buechner, Frederick. Speak What We Feel (Not What We Ought to Say): Reflections on Literature and Faith. San Francisco: HarperCollins, 2001.
Cox, Roger L. “King Lear and the Corinthian Letter” in Shakespeare’s Christian Dimension, 453-457.
Johnson, Allan G. Privilege, Power and Difference. New York: McGraw-Hill, 2001.
Lewis, C.S. The Lion, the Witch and the Wardrobe. New York: Collier Books, 1970.
Lewis, C.S. The Problem of Pain. New York: Macmillan, 1962.
Lewis, C. S. “The World’s Last Night” in The World’s Last Night and Other Essays. New York: Harcourt Brace, 1952, 93-113.
Mack, Maynard. “Archetype and Parable in King Lear” in Shakespeare’s Christian Dimension, 457-460.
Shakespeare, William. King Lear from The Necessary Shakespeare, 5th. Edition. Bevington, David, Ed. Boston: Pearson, 2017, 662-709.
Stein, Walter. “The Extreme Verge in King Lear” in Shakespeare’s Christian Dimension, 462-469.
John D. Cox • Paradoxia Shakespeareana
Colie, Rosalie. Paradoxia Epidemica: The Renaissance Tradition of Paradox. Princeton: Princeton University Press, 1966.
Geneva Bible: A Facsimile of the 1560 Edition. Madison: University of Wisconsin Press, 1969.
Hunter, Robert G. Shakespeare and the Comedy of Forgiveness. New York: Columbia University Press, 1965.
Johnson, Ben. “To the Memory of My Beloved, The Author, Mr. William Shakespeare.” The Norton Facsimile the First Folio of Shakespeare. New York: W.W. Norton, 1968.
Lewalski, Barbara K. “Biblical Allusion and Allegory in The Merchant of Venice.” Shakespeare Quarterly 13, (1962): 327-343.
Shaheen, Naseeb. Biblical References in Shakespeare’s Plays. Newark: University of Delaware Press, 1999.
Shakespeare, William. The Complete Works. Seventh Edition.ed David Bevington. New York: Pearson, 2014.
Shapiro, James. Shakespeare and the Jews. New York: Columbia University Press, 1996.
G. Connor Salter • Adaptation and Cultural Apologetics
B. Benjamin. “The Tragedy of Macbeth: Palace Intrigue.” American Cinematographer, January 4, 2022. https://ascmag.com/articles/the-tragedy-of-macbeth.
Barnet, Sylvan (ed.) and William Shakespeare. Macbeth. New York: Signet, 1963.
Bui, Hanh. “Effigies of Childhood in Kurzel’s Macbeth.” Literature/Film Quarterly 48 no. 1 (2020), https://lfq.salisbury.edu/_issues/48_1/effigies_of_childhood_in%20kurzels_macbeth.html.
Carpenter, Humphrey (ed.) and J.R.R. Tolkien. The Letters of J.R.R. Tolkien. London: HarperCollins, 2006.
Coen, Joel (dir). The Tragedy of Macbeth. A24, 2021. Apple TV+, 2021.
Cox, John D. “Religion and Suffering in ‘Macbeth.’” Christianity and Literature 62, no. 2 (2013): 225–40. http://www.jstor.org/stable/44324131.
Curry, Walter Clyde. “The Demonic Metaphysics of ‘Macbeth.’” Studies in Philology 30, no. 3 (1933): 395–426. http://www.jstor.org/stable/4172210.
Davies, Anthony. Filming Shakespeare Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa. New York: Cambridge University Press, 1988.
Deats, Sara M. “Polanski’s Macbeth: A Contemporary Tragedy.” Studies in Popular Culture 9, no. 1 (1986): 84–93. http://www.jstor.org/stable/23412902.
Deighan, Samm. “‘As Breath into the Wind’: Supernatural Horror in Orson Welles’ Macbeth.” Diabolique Magazine, December 1, 2016.
https://diaboliquemagazine.com/breath-wind-supernatural-horror-orson-welles-macbeth/.
Ebert, Roger. “Reviews: Macbeth.” RogerEbert.com, January 1, 1971, https://www.rogerebert.com/reviews/macbeth-1971.
French, Esther. “Orson Welles and the Voodoo ‘Macbeth’ that launched his directing career.” Folger Shakespeare Library, May 26, 2016.
https://shakespeareandbeyond.folger.edu/2016/05/06/orson-welles-voodoo-macbeth/.
Harper, Wendy Rogers. “Polanski vs. Welles on ‘Macbeth’: Character or Fate?” Literature/Film Quarterly 14, no. 4 (1986): 203–10. http://www.jstor.org/stable/43797525.
Hooper, Walter (ed.) and C.S. Lewis. Selected Literary Essays. New York: Cambridge University Press, 2019.
Keetley, Dawn. “Introduction: Defining Folk Horror.” Revenant Journal no. 5 (2020). http://www.revenantjournal.com/contents/introduction-defining-folk-horror-2/.
Kurosawa, Akira (dir.). Throne of Blood. Toho Co., 1957. DVD. Criterion, 2015.
Kurzel, Justin. Macbeth. Studio Canal, 2015. DVD. Lionsgate, 2016.
McGovern, Joe. “‘The Tragedy of Macbeth’: How The Sets Were Designed as One Big Optical Illusion.” The Wrap, January 20, 2022. https://www.thewrap.com/the-tragedy-of-macbeth-sets-optical-illusion/.
Owens, Rebekah. Macbeth (Devil’s Advocates). Leighton Buzzard: Auteur Publishing, 2017.
Polanski, Roman (dir.). Macbeth. Playboy Productions, 1971. DVD. Criterion, 2014.
Price, Stephen. “Throne of Blood: Shakespeare Transposed.” Criterion, January 6, 2014. https://www.criterion.com/current/posts/270-throne-of-blood-shakespeare-transposed.
Quiller-Couch, Arthur. “The Workmanship of ‘Macbeth.’” The North American Review 200, no. 707 (1914): 576–91. http://www.jstor.org/stable/25108271.
Rosenbaum, Jonathon (ed.), Peter Bogdanovich and Orson Welles. This Is Orson Welles. New York: HarperCollins, 1992.
Savas, Minae Yamamoto. “Familiar Story, Macbeth — New Context, Noh and Kurosawa’s Throne of Blood.” Education about Asia 17, no. 1 (2012): 20-25. https://www.asianstudies.org/publications/eaa/archives/familiar-story-macbeth-new-context-noh-and-kurosawas-throne-of-blood/.
Shaw, William P. “Violence and Vision in Polanski’s ‘Macbeth’ and Brook’s ‘Lear.’” Literature/Film Quarterly 14, no. 4 (1986): 211–13. http://www.jstor.org/stable/43797526.
Shepherd, Philippa. “Humbling the Soldier in Kurzel’s Macbeth and Parker’s Othello.” Literature/Film Quarterly 46, no. 1 (2018), https://lfq.salisbury.edu/_issues/46_1/humbling_the_soldier_in_kurzels_macbeth_and_parkers_othello.html.
Stachniewski, John. “Calvinist Psychology in Macbeth.” Shakespeare Studies 20 (1988): 169-189. https://www.proquest.com/openview/c4b31f3ec55c9ff011743823284cb68d/.
Welles, Orson (dir.). Macbeth. Republic Pictures, 1948. DVD. Olive Films, 2012.
Tillyard, E.M.W. The Elizabethan World Picture. New York: Vintage, 1959.
Tyler, Royall. “Buddhism in Noh.” Japanese Journal of Religious Studies 14, no. 1 (1987): 1952. http://www.jstor.org/stable/30234528.
Grace Tiffany • “Who Is’t Can Read A Woman?”
Adelman, Janet. “Making Defect Perfection: Shakespeare and the One-Sex Model.” In Enacting Gender on the English Renaissance Stage, ed. Viviana Comensoli and Anne Russell. Urbana: University of Illinois Press, 1999, 23-52.
— Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays. NY: Routledge, 1992.
Aristotle. A New Aristotle Reader. Ed. and trans. J. L. Ackrill. Princeton, N.J.: Princeton University Press, 1987.
Augustine. Confessions. Trans. R. S. Pine-Coffin. London: Penguin, 1961.
Banks, Carol. “’You are pictures out of doore … saints in your injuries’: Picturing the Female Body in Shakespeare’s Plays.” Women’s Writing: The Elizabethan to Victorian Period 8 (2): 295-311.
Barton, Anne. Essays: Mainly Shakespearean. Cambridge: Cambridge University Press, 1994.
Cox, John. “Grace and ‘Nature’s Miracle’ in Shakespeare.” Paper presented at the 45th International Medieval Studies Congress, Kalamazoo, Michigan, 2010.
Bianco of Sienna. “Come Down, O Love Divine.” 1362. Transl. Richard Littledale, 1867, in Glory to God, hymnal. Louisville, KY: Westminster John Knox Press, 2013, no. 282.
Crooke, Helkiah. Microkosmographia: A Description of the Body of Man. 1615. Early English Books Online, EBSCO host, accessed 5/11/22.
Desmet, Christy. Reading Shakespeare’s Characters. Amherst: University of Massachusetts Press, 1992.
Donne, John. John Donne: The Complete English Poems. Ed. A. J. Smith. NY: Penguin, 1987.
Duncan, Claire. “‘Nature’s Bastards’”: Grafted Generation in Early Modern England.” Renaissance and Reformation 38:2 (2020): 121-48.
The Geneva Bible. A facsimile of the 1599 edition. Ozark, Missouri: L. L. Brown, 2003.
Haslem, Lori Schroeder. “Riddles, Female Space, and Closure in All’s Well that Ends Well.” English Language Notes 38.4 (2001): 19-33.
“An Homily of the State of Matrimony.” In The Bedford Companion to Shakespeare: An Introduction with Documents. Ed. Russ McDonald, NY: Bedford Books of St. Martin’s Press, 1996, 278-87.
Hunt, Maurice. “Impregnating Ophelia.” Neophilologus 89:4 (October, 2005): 641-63.
Iyengar, Sujata. Shakespeare’s Medical Language: A Dictionary. NY: Bloomsbury, 2011.
Jonson, Ben. The Alchemist and Other Plays. Ed. Gordon Campbell. Oxford: Oxford University Press, 2008.
Kermode, Frank. Introduction to King Lear. In The Riverside Shakespeare. Boston: Houghton-Mifflin, 1974, 1249-54.
Laqueur, Thomas. Making Sex: Body and Gender from the Greeks to Freud. Cambridge, MA: Harvard University Press, 1990.
Low, Jennifer. “’Bodied Forth’: Spectator, Stage, and Actor in the Early Modern Theater.” Comparative Drama 39:1 (Spring, 2005): 1-29.
Lupton, Julia. “The Religious Turn (To Theory) in Shakespeare Studies.” English Language Notes 44:1 (Spring, 2006): 145-49.
Madelaine, Richard. “’The dark and vicious place’: The Location of Sexual Transgression and Its Punishment on the Early Modern Stage.” Parergon 22:1 (2005): 159-83.
Maus, Katherine Eisaman. Inwardness and Theater in the English Renaissance. Chicago: University of Chicago Press, 1995.
Middleton, Thomas, and William Rowley. The Changeling. Ed. George Walton Williams. Lincoln: University of Nebraska Press, 1966.
Montrose, Louis. “The Work of Gender in the Discourse of Discovery.” In New World Encounters. Ed. Stephen Greenblatt. Berkeley: University of California Press, 1993, 177-217.
Parker, Patricia. “Gender Ideology, Gender Change: The Case of Marie Germain.” Critical Inquiry 19 (1993): 93-124.
Paster, Gail Kern. “The Unbearable Coldness of Female Being: Women’s Imperfection and the Humoral Economy.” English Literary Renaissance 28 (3): 416-40.
Perletti, Greta. “’A Thing Like Death’: Medical Representations of Female Bodies in Shakespeare’s Plays.” Gender Studies 12.1 (2013): 93-111.
Pewterers and Founders. Joseph’s Trouble about Mary. In York Mystery Plays: A Selection in Modern Spelling. Ed. Richard Beadle and Pamela M. M. King. NY: Oxford University Press, 1995, 48-58.
Radbill, Samuel X. “Pediatrics.” In Medicine in Seventeenth-Century England. Ed.
Allen G. Debus. Berkeley: University of California Press, 1974, 252-53.
Redding, Adrienne. “Liminal Gardens: Edenic Iconography and the Disruption of Sexual Difference in Tragedy.” Comitatus: A Journal of Medieval and Renaissance Studies 46 (2015): 141-69.
Reynolds, Paige Martin. “Sin, Sacredness, and Childbirth in Early Modern Drama.” Medieval and Renaissance Drama in England 2015 (28): 30-48.
Schwartz, Louise. “17th-Century Childbirth: ‘exquisite torment and infinite grace’.” The Lancet 377 (9776, 4/30/11): 1486-87.
Shakespeare, William. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton-Mifflin, 1974.
Sidney, Philip. “The Defense of Poesy.” Excerpted in The Norton Anthology of English Literature: The Sixteenth Century / The Early Sevententh Century, Vol. B. Ed. Stephen Greenblatt et al. Ninth Edition, NY: Norton, 2012, 1044-83.
Smith, Amy. “Performing Marriage with a Difference: Wooing, Wedding, and Bedding in The Taming of the Shrew.” Comparative Drama 36: 3 / 4 (Fall/Winter 2002-03): 289-320.
Steinway, Elizabeth. “In Search of Alternate Kinship: Pregnancy without Proof in All’s Well that Ends Well.” Medieval and Renaissance Drama in England 33 (2020): 274-96.
Stone, Lawrence. The Family, Sex, and Marriage in England, 1500-1800. NY: Harper and Row, 1979.
Straub, Susan. “Botany and the Maternal Body in Titus Andronicus.” Renaissance Papers 2017: 139-54.
Tiffany, Grace. Erotic Beasts and Social Monsters: Shakespeare, Jonson, and Comic Androgyny. Newark: University of Delaware Press, 1995.
— “Eden and the New World in Shakespeare’s The Tempest.” In Critical Essays on the Myth of the American Adam. Ed. Viorica Patea and María Eugenia Díaz-Sanchez. Salamanca: Ediciones Universidad, 2001, 45-52.
Jem Bloomfeld • Disclosures of Form
Althusser, Louis. “Ideology and Ideological State Apparatuses (Notes Towards an Investigation).” In Lenin and Philosophy and other Essays. Trans. Ben Brewster. New York: Monthly Review Press, 1971.
Burgess, William. The Bible in Shakespeare: A Study of the Relation of the Bible to the Works of William Shakespeare. Toronto: Winona, 1903.
Carlyle, Thomas. On Heroes, Hero Worship, and the Heroic in History. ed David R. Sorensen and Brent E. Kinser. New Haven: Yale University Press, 2013.
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769. Oxford: Clarendon, 1994.
Donne, John. The Major Works. ed. John Carey. Oxford: Oxford University Press, 2008.
Guite, Malcolm. My Theology: The Word Within the Words. London: Darton Longman and Todd, 2022.
Hughes, Alan. “Henry Irving’s Tragedy of Shylock.” Educational Theatre Journal 24, No. 3 (October 1972): 248-264.
Hopkins, Gerard Manley. The Major Works, ed. Catherine Philips. Oxford: Oxford University Press, 2009.
Lamb, Charles. Selected Prose, ed. Adam Philips. London: Penguin, 1985.
Lee, Sidney. A Life of William Shakespeare. London: Smith, Elder and Co., 1898.
Lewis, C.S. Letter to D. L. Sayers, 23 Oct 1942, in Collected Letters. San Francisco: Harper Collins, 2004. vol. 2, 533-34.
Marsden, Jean I. The Re-Imagined Text: Shakespeare, Adaptation and Eighteenth-Century Literary Theory. Lexington: University Press of Kentucky, 1995.
Styan, J.L. The Shakespeare Revolution. Cambridge: Cambridge University Press, 1977.
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. Oxford: Oxford University Press, 1989.
Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare’s Stage. Routledge, 2001.
Worthen, William B. Shakespeare and the Authority of Performance. Cambridge: Cambridge University Press, 1997.
Wright, N.T. The New Testament and the People of God. London: SPCK, 1992. repr. 1997.
Young, Frances. The Art of Performance: Towards a Theology of Holy Scripture. London: Darton, Longman and Todd, 1990.
Jack Heller • Dogberry’s Inscrutable Grace
Allen, John A. “Dogberry.” Shakespeare Quarterly 24, no. 1 (Winter 1973): 35–53.
Betteridge, Thomas. “Shakespeare and the Elizabethan and Jacobean Church,” The Cambridge Companion to Shakespeare and Religion, ed. Hannibal Hamlin (Cambridge: Cambridge University Press, 2019): 1-17.
Geneva Bible (1599). BibleGateway.com: A Searchable Online Bible in over 150 Versions and 50 Languages. https://www.biblegateway.com/. Accessed September 25, 2022.
“Hooker, Travers & the Battle of the Pulpit – 1585–86 – Temple Church.” templechurch.com. https://www.templechurch.com/history/hooker-travers-and-the-battle-of-the-pulpit-1606-1698. Accessed September 25, 2022.
Hooker, Richard. A Learned Discourse on Justification. Edited by Abby Zwart and John Kiefer. Christian Classics Ethereal Library, https://ccel.org/ccel/hooker/just/just. Accessed September 25, 2022.
Marcus, Leah S. Unediting the Renaissance: Shakespeare, Marlowe, Milton. London: Routledge, 1996.
Rose, Mark. “Conjuring Caesar: Ceremony, History, and Authority in 1599.” English Literary Renaissance 19, no. 3: 291–304.
Shaheen, Naseeb. Biblical References in Shakespeare’s Plays. Newark: University of Delaware Press, 1991.
Shakespeare, William. A Midsummer Night’s Dream. The Complete Pelican Shakespeare. Edited by Stephen Orgel and A.R. Braunmuller. Penguin, 2002.
Shakespeare, William. Much Ado about Nothing. Edited by A. R. Humphreys. The Arden Shakespeare: Second Series. London: Thomson Learning, 1981, 2002.
Spinrad, Phoebe S. “Dogberry Hero: Shakespeare’s Comic Constables in Their Communal Context.” Studies in Philology 89, no. 2: 161-178.
Laura Higgins • Shakespeare’s Hidden Ghosts
Ackerman Jr., Alan L.. “Visualizing Hamlet’s Ghost: The Spirit of Modern Subjectivity,” Theatre Journal 53, no. 1: Theatre and Visual Culture (March 2001): 119-144. https://www.jstor.org/stable/25068886.
Battenhouse, R. W.. “The Ghost in Hamlet: A Catholic ‘Linchpin,’’ Studies in Philology 48, no. 2 (Apr 1951), 161-192. https://www.jstor.org/stable/1456176.
Beckwith, Sarah. Shakespeare and the Grammar of Forgiveness. New York: Cornell University Press, 2011.
Beckwith, Sarah. Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays. Chicago: University of Chicago Press, 2001.
Bell, Michael Mayerfield. ‘The Ghosts of Place’. Theory and Society 26 (December 1997): 813-836. https://www.jstor.org/stable/657936.
Blanco, Maria del Pilar, and Esther Peeren, eds. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. London: Bloomsbury, 2013.
Buber, Martin. I and Thou, newly translated by Walter Kaufmann (NY: Scribner’s, 1970; original German 1923, first English translation, 1937).
Cartelli, Thomas. “Banquo’s Ghost: The Shared Vision,” Theatre Journal: The Poetics of Theatre 35, no. 3 (October 1983): 389-405. https://www.jstor.org/stable/ 3207218.
Craig, Edward Gordon. On the Art of the Theatre (London: Mercury Books, 1962).
Derrida, Jacques. Specters of Marx: The State of Debt and the Work of Mourning and the New International. Trans. Peggy Kamuf (London: Routledge, 1993).
Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination (Minneapolis: University of Minneapolis Press, 2005).
Heijes, Coen. “‘Thus play I in one person many people’: The Art and Craft of Doubling in the Boyd History Cycle,” Shakespeare, 6 no. 1 (2010): 52-73.
Iwuji, Chukwudi, Gloucester in Richard II, directed by Michael Boyd, 2007, personal interview, 4 November 2008.
Moorman, F. W. “Shakespeare’s Ghosts,” The Modern Language Review 1, no. 3 (Apr 1906): 192-201. https://www.jstor.org/stable/3713608.
Nightingale, Benedict. Review of Richard II, directed by Michael Boyd, Times 17 April 2008.
O’Briain, Donnacadh. Assistant Director The Histories, RSC 2006-2008, personal interview, 23 May 2008.
Pile, Steve. “Ghosts and the City of Hope,” in The Emancipatory City?: Paradoxes and Possibilities, ed. by Loretta Lees, 210-228.
Pinder, David. “Ghostly Footsteps: Voices, Memories and Walks in the City”. Ecumene 8 no. 1 (2001):1-19. https://www.jstor.org/stable/44252244.
Rea, John D. “Hamlet and the Ghost Again,” The English Journal 18, no. 3 (March 1929): 207-213. https://www.jstor.org/stable/804010.
Shakespeare, William. Richard II edited by Stanley Wells (Harmondsworth: Penguin, 1969).
Slinger, Jonathan. King Richard in Richard II, directed by Michael Boyd, 2007, personal interview, 13 August 2008.
Soja, Edward. Thirdspace: Journeys to Los Angeles and Other Real-And-Imagined Places. Oxford: Blackwell, 1996.
— “Thirdspace: Expanding the Scope of the Geographical Imagination,” in Human Geography Today, ed. Doreen Massey, John Allan, and Philip Sarre, (Malden: Polity, 1999), 260-278.
West, Robert H.. “King Hamlet’s Ambiguous Ghost,” PMLA, 70, no.5 (Dec 1955): 1107-1117. https://www.jstor.org/stable/459890.
Wright, Kevin. The Histories, RSC (2007).
Sarah R.A. Waters • Lewis, Lear, and The Four Loves
Brennan, Teresa. The Transmission of Affect. Ithaca: Cornell University Press, 2004.
Buber, Martin. I and Thou. trans. by Ronald Gregor Smith. Edinburgh: T & T Clark, 1937.
Gould, Paul M. Cultural Apologetics: Renewing the Christian Voice, Conscience and Imagination in a Disenchanted World. Grand Rapids: Zondervan, 2019.
Heywood, H.C.L. “Review of Beyond Personality.” Theology: A Monthly Review XLVIII, no. 297 (March 1945): 66-67.
Holmer, Paul L. C.S. Lewis: The Shape of His Faith and Thought. London: Sheldon Press, 1977.
King Jr., Martin Luther, “Letter from Birmingham City Jail.” [16 April 1963]. American Friends Service Committee. May 1963.
Kort, Wesley A. Reading C.S. Lewis: A Commentary. New York: Oxford University Press, 2016.
Lewis, C.S. Mere Christianity. Glasgow: Fontana, 1955.
— The Collected Letters of C.S. Lewis. Edited by Walter Hooper. Vol. 2. San Francisco: HarperCollins, 2004.
— The Four Loves. London: HarperCollins, 2002.
— The Screwtape Letters. London: Geoffrey Bles, 1945.
— “The Weight of Glory.” In C.S. Lewis Essay Collection & Other Short Pieces. Edited by Walter Hooper, 96-106. London: HarperCollins, 2000.
— “The World’s Last Night.” In C.S. Lewis Essay Collection & Other Short Pieces. Edited by Walter Hooper, 42-53. London: HarperCollins, 2000.
MacIntyre, Alasdair. “Love and Mr. Lewis.” The Guardian. 8 April 1960.
Morris, Clifford. “A Christian Gentleman.” In C.S. Lewis at the Breakfast Table and Other Reminiscences, ed. by James Como, 92-201. San Diego: Harvest, 1992.
Ordway, Holly. Apologetics and the Christian Imagination: An Integrated Approach to Defending the Faith. Steubenville: Emmaus Road Publishing, 2017.
Ricke, Joe. “The Archangel Fragment: Identifying and Interpreting C.S. Lewis’s ‘Cryptic Note,’” Sehnsucht: The C.S. Lewis Journal, 14 (2020): 106-114.
Shakespeare, William. As You Like It. Edited by Juliet Dusinberre. Arden Third Series. London: Bloomsbury, 2006.
Shakespeare, William. King Lear. Edited by R.A. Foakes. Arden Shakespeare Third Series. London: Bloomsbury, 1997.
Simon, Caroline J. “On Love.” In Cambridge Companion to C.S. Lewis ed. Robert MacSwain and Michael Ward, 146-59. Cambridge: Cambridge University Press, 2010.
Stern, Daniel. The Interpersonal World of the Infant. New York: Basic Books, 1985.
Wilson, Cory. “Afterword.” In Moses Chung and Christopher Meehan, Joining Jesus: Ordinary People at the Edges of the Church, 177-96. Eugene: Cascade Books, 2022.
Young, R.V. “Hope and despair in King Lear: the gospel and the crisis of natural law.” In King Lear: New Critical Essays. Edited by Jeffrey Kahan, 253-77. New York: Routledge, 2008.

John Masey Wright, ca. 1820. Public Domain via Wikimedia Commons.